ISSN 2754-0804
Vol. 48, Issue 2, 2009December 31, 2009 BST
Micro-topographies: Geological Imprints and The Destabilization of Materiality in the Films of Lars von Trier
Micro-topographies: Geological Imprints and The Destabilization of Materiality in the Films of Lars von Trier
Articles in Vol. 48, Issue 2, 2009
Vol. 48, Issue 2, 2009
- Consistere and Muoversi: The Meeting of Human Being and Statue in Henrik Ibsen’s Når vi døde vågner and Luigi Pirandello’s Diana e la TudaElettra Carbone
- Untangling the Knot – Words, Power, and Identity in Svend Åge MadsenNete Schmidt
- Micro-topographies: Geological Imprints and The Destabilization of Materiality in the Films of Lars von TrierDavina Quinlivan
- Review: Fredrika Charlotta född Tengström. En nationalskalds hustruHeidi Grönstrand
- Review: Alt andet er løgn. Essays om moderne litteraturJulie K. Allen
- Review: Comparative Approaches to Nordic and European ModernismsPeter Fjågesund
- Review: Geschichten aus der Jazz-Zeit. Die ‘verlorene Generation’ in der dänischen LiteraturJulie K. Allen
- Review: Sjælen efter Døden. Guldalderens moderne gennembrudKarin Sanders
Quinlivan, Davina. 2009. “Micro-Topographies: Geological Imprints and The Destabilization of Materiality in the Films of Lars von Trier.” Scandinavica 48 (2): 77–83. https://doi.org/10.54432/scand/PJLA7531.